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Fluxus is known for experimental contributions to different artistic media and disciplines.Fluxus is also known for generating art forms that were new when Fluxus artists created them.It was at one of these events in 1960, during his Etude pour Piano, that Paik leapt into the audience and cut John Cage's tie off, ran out of the concert hall, and then phoned the hall's organisers to announce the piece had ended.The American musician and artist La Monte Young had been enlisted to guest-edit an issue of a literary journal, Beatitude East, and asked George Maciunas, a trained graphic designer, for help with the layout; Maciunas supplied the paper, design, and some money for publishing of the anthology, which contained a more or less arbitrary association of New York avant-garde artists at that time.Indifferently chosen, readymades and altered readymades challenged the notion of art as an inherently optical experience, dependent on academic art skills.
The broad and varied nature of the artists involved in Fluxus involved a community of friends who worked together.
They had different ideas about art and the role of art in society.
Instead, a series of festivals in Wiesbaden, Copenhagen, Stockholm, Amsterdam, London.
and New York, gave rise to a loose but robust community.
In keeping with the reputation Fluxus earned as a forum of experimentation, The origins of Fluxus lie in many of the concepts explored by composer John Cage in his experimental music of the 1930s through the 1960s.
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After attending courses on Zen Buddhism taught by D. Suzuki, Cage taught a series of classes in Experimental Composition from 1957 to 1959 at the New School for Social Research in New York City, which explored notions of chance and indeterminacy in art, and with the score as the basis for compositions, which could be performed in potentially infinite ways.